The Queer Writer: March 2025

It's almost time! Tickets for THE LILAC PEOPLE debut party burlesque show, A Night at the Eldorado, go on sale at 10:00 am EST on Monday, March 3rd! That's in two days! As of this writing, the link isn't up yet, but the event should appear here by the end of today. [Update: The link is now live!]

Want to hear a sample from the audiobook? My amazing narrator, Max Meyers, posted this video of them recording one of my favorite scenes, in which trans people are explained as the canaries of a country. I adore the way Max has approached the book and feel they've elevated it to a whole new level. If you're looking for an audiobook narrator, definitely consider Max.

My in-person tour for May is finalized (more on that next month), but I'm still available for newsletter interviews and podcasts anytime and virtual book clubs for June onward. If you want an interview for your newsletter/podcast, please contact Megan Fishmann at megan.fishmann@counterpointpress.com. For virtual book club requests, please contact Lily Philpott at lily.philpott@catapult.co.

Many of you have asked how you can help support the book. I'll send out an email about that in early April. I'm sincerely moved by all of the requests for support, especially given our current times.

Don't forget that my free virtual class, "Why Bother?: Making Art During Troubled Times" is on Friday, March 7th. To attend, please register here. I've long since started winding down my teaching so I can focus on the book and still get some sleep, so it'll be a while until this chance comes by again!

We have another big list of anticipated books coming, including a YA anthology about banned books, lesbian circus clowns and magicians, a middle schooler who uses a computer game to deal with ADHD and isolation, a young scholar who goes on 100 dates in one summer, a vegan monster, a trans high school teacher who befriends their trans student, a bluesy backdrop of 1970s Texas, a queer love story about the Greek god Dionysus, and more!

Is there an upcoming queer book you’re excited about? Know of a great opportunity for queer writers? Read an awesome article about the (marginalized) writing world? Let me know! And as always, please share this newsletter with people you think might be interested.


Upcoming Classes

***FREE!*** Why Bother?: Making Art During Troubled Times

  • Friday, March 7th, 2025 from 6:00pm to 7:00pm ET
  • Virtual via Zoom
  • FREE!

Between elections, pandemics, police brutality, climate change, and a host of other difficult situations, I’ve received the question more and more: Why bother? What’s the point of being artistic during troubled times?

This session is free and open to everyone with this question on their minds. Budgeted for an hour, this talk will look at science-backed studies, logic-based stances, and provide time at the end to answer questions. (Group discussion may be available depending on the number of attendees.)

Registration is required, with opportunity to submit questions for consideration and tips to share with your fellow artists. Please note that no recordings, photographs, or screenshots are allowed during this session. Attendees will receive a Zoom link via email ~15 minutes before the session begins.

Writing Outside of Your Lane

  • Friday, March 28th, 2025 from 7:00pm to 8:30pm ET (4:00pm to 5:30pm PT)
  • Virtual via Zoom
  • $25 (Supporting Tuition); $15 (Helping Hands); $5 (Helping Hands Extended)

As the call for diversity in stories grows stronger (thankfully), many writers without lived experience of marginalization may feel anxiety about how to approach these stories with care and authenticity. Questions like “How do I start?”, “What if I make mistakes?”, and “Am I even allowed to write this?” are common—and valid.

In this 90-minute lecture, Milo Todd offers mainstream writers a thoughtful, practical framework for writing characters outside your own lived experience. Through the pillars of Self-Reflection, Research, Craft, and Editing, you’ll gain tools to approach this process with care, empathy, and a deeper understanding of your responsibility as a writer.

This class welcomes writers of all identities and focuses on equipping you with the knowledge and confidence to write with integrity. Let’s work together to create stories that reflect the rich, diverse world we live in.


Anticipated Books

Disclosure: I'm an affiliate of Bookshop.org. Any purchase through my storefront supports local bookstores and earns me a commission. Win-win!

Banned Together: Our Fight for Readers' Rights by Ashley Hope Pérez (editor)

Books are disappearing from shelves across the country. What does this mean for authors, illustrators, and—most crucially—for young readers? This bold collection of fiction, memoir, poetry, graphic narratives, essays, and other genres explores book bans through various lenses, and empowers teens to fight back. From moving personal accounts to clever comebacks aimed at censorship, fifteen legendary YA authors and illustrators confront the high-stakes question of what is lost when books are kept from teens. Contributors include Elana K. Arnold, Nikki Grimes, Ellen Hopkins, Kelly Jensen, Brendan Kiely, Maia Kobabe, Bill Konigsberg, Kyle Lukoff, MariNaomi, Trung Lê Nguyễn, Ashley Hope Pérez, Isabel Quintero, Traci Sorell, Robin Stevenson, and Padma Venkatraman; the collection is a star-studded must-read that packs strength and power into every last word. 

Mud in Our Mouths by Luiza Flynn-Goodlett

Luiza Flynn-Goodlett's Mud in Our Mouths illuminates how we are all enmeshed in a web of violence and love. As the speaker of the collection drives cross-country to visit her family of origin in Tennessee, she reckons with the tensions between her current and past selves and the many ways violence--interpersonal, societal, and environmental--has shaped her life. She struggles to find meaning, questioning the ethics of locating faith in a natural world she is unintentionally destroying, and grapples with her complicity in systems of power and oppression as a white Southern woman. Ultimately, she rejects the idea of genetic family as a place of solace; instead, she cleaves to the liberation and joy of connections forged outside those strictures, where intimacy is freely chosen rather than preordained.

Stag Dance by Torrey Peters

In this collection of one novel and three stories, bestselling author Torrey Peters’s keen eye for the rough edges of community and desire push the limits of trans writing. In Stag Dance, the titular novel, a group of restless lumberjacks working in an illegal winter logging outfit plan a dance that some of them will volunteer to attend as women. When the broadest, strongest, plainest of the axmen announces his intention to dance as a woman, he finds himself caught in a strange rivalry with a pretty young jack, provoking a cascade of obsession, jealousy, and betrayal that will culminate on the big night in an astonishing vision of gender and transition. Three startling stories surround Stag Dance: “Infect Your Friends and Loved Ones” imagines a gender apocalypse brought about by an unstable ex-girlfriend. In “The Chaser,” a secret romance between roommates at a Quaker boarding school brings out intrigue and cruelty. In the last story, “The Masker,” a party weekend on the Las Vegas strip turns dark when a young crossdresser must choose between two guides: a handsome mystery man who objectifies her in thrilling ways, or a cynical veteran trans woman offering unglamorous sisterhood.

Stop Me If You've Heard This One by Kristen Arnett

Cherry Hendricks might be down on her luck, but she can write the book on what makes something funny: she’s a professional clown who creates raucous, zany fun at gigs all over Orlando. Between her clowning and her shifts at an aquarium store for extra cash, she’s always hustling. Not to mention balancing her judgmental mother, her messy love life, and her equally messy community of fellow performers. Things start looking up when Cherry meets Margot the Magnificent—a much older lesbian magician—who seems to have worked out the lines between art, business, and life, and has a slick, successful career to prove it. With Margot’s mentorship and industry connections, Cherry is sure to take her art to the next level. Plus, Margot is sexy as hell. It’s not long before Cherry must decide how much she’s willing to risk for Margot and for her own explosive new act—and what kind of clown she wants to be under her suit.

A Gentleman's Gentleman by TJ Alexander

The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate. Christopher cannot imagine a worse fate: as he isn’t attracted to women, his chances of making a wife happy are slim. Furthermore, if his quest to marry has any hope of succeeding, he must move to London posthaste and acquire some more suitable staff. Enter James Harding, Christopher’s new, distractingly handsome—if rigidly traditional—valet. After a rocky start, the two strike up a fragile friendship amid the throes of the London Season . . . a friendship that threatens to shatter under the looming shadow of Christopher’s impending nuptials—and the secrets both men are keeping. 

I Leave It Up to You by Jinwoo Chong

A coma can change a man, but the world Jack Jr. awakens to is one he barely recognizes. His advertising job is history, his Manhattan apartment is gone, and the love of his life has left him behind. He’s been asleep for two years; with no one to turn to, he realizes it’s been ten years since he last saw his family. Lost and disoriented, he makes a reluctant homecoming back to the bustling Korean American enclave of Fort Lee, New Jersey; back into the waiting arms of his parents, who are operating under the illusion that he never left; and back to Joja, their ever-struggling sushi restaurant that he was set to inherit before he ran away from it all. As he steps back into the life he abandoned—learning his Appa’s life lessons over crates of tuna on bleary-eyed 4 a.m. fish runs, doling out amberjack behind the omakase counter while his Umma tallies the night’s pitiful number of customers, and sparring with his recovering alcoholic brother, James—he embraces new roles, too: that of romantic interest to the nurse who took care of him, and that of sage (but underqualified) uncle to his gangly teenage nephew. There is value in the joyous rhythms of this once-abandoned life. But second chances are an even messier business than running a restaurant, and the lure of a self-determined path might, once again, prove too hard to resist.

Woodworking by Emily St. James

Erica Skyberg is thirty-five years old, recently divorced--and trans. Not that she's told anyone yet. Mitchell, South Dakota, isn't exactly bursting with other trans women. Instead, she keeps to herself, teaching by day and directing community theater by night. That is, until Abigail Hawkes enters her orbit. Abigail is seventeen, Mitchell High's resident political dissident and Only Trans Girl. It's a role she plays faultlessly, albeit a little reluctantly. She's also annoyed by the idea of spending her senior year secretly guiding her English teacher through her transition. But Abigail remembers the uncertainty--and loneliness--that comes with it. Besides, Erica isn't the only one struggling to shed the weight of others' expectations. As their unlikely friendship evolves, it comes under the scrutiny of their community. And soon, both women--and those closest to them--are forced to ask: Who are we if we choose to hide ourselves? What happens once we disappear into the woodwork?

Girl Falling by Hayley Scrivenor

Torn between her girlfriend, Magdu, and her best friend, Daphne, Finn is looking forward to a day of rock climbing and bonding for the three women on the soaring cliffs near their Australian town. But nothing goes as she planned, and in a horrific accident, Magdu falls to her death. Rocked by grief, Finn tries to pinpoint where it all went wrong. Did Magdu die because of Finn’s friendship with overbearing Daphne, who has never wanted Finn to change or leave her? Can Finn trace it all the way back to the tragic childhood loss of her sister? What about Magdu’s family, who would never have accepted their relationship? When the police suspect foul play in Magdu’s death, Finn begins to search for the shocking truth about her relationships and what has been in front of her all along.

Liquid: A Love Story by Mariam Rahmani

The unnamed Iranian-Indian American narrator of Liquid has always believed herself to be the smartest person in the room. And from an early age, she and her best friend--a poet-turned-marketer named Adam--have turned their noses up at other peoples' riches. But two years after earning a PhD from UCLA, the narrator is no closer to the middle-class comfort promised to her by the prestige of her fancy, scholarship-funded education and the successes of her immigrant parents. Jokingly, Adam suggests she just "marry rich." But our protagonist, whose PhD thesis compared Eastern and Western views of marriage in film and literature, takes the idea seriously. She makes a spreadsheet and outlines a goal: 100 dates with people of all genders and a marriage proposal in hand by the official start of the fall semester. What follows is a whirlwind summer packed with dating: martinis sans vermouth with the lazy scion of an Eastside construction empire; board games with a butch producer who owns a house in the hills and a newly dented Porsche; a Venmo request from a "socialist" trust fund babe; and an evening spent dodging the halitosis of a maxillofacial surgeon from Orange County. Only a tragedy in Tehran and an overdue familial reckoning can alter the narrator's increasingly manic trajectory and force her to confront the contradictions of her life in Los Angeles. And as doubts begin to creep in about her marriage project, it suddenly seems possible that the eligible prospect she's been looking for has been beneath her nose the entire time.

Passing Through a Prairie Country by Dennis E. Staples

For decades, a dark force has terrorized the Languille Lake reservation. Spoken of only in whispers as “the sandman,” he lurks in the Hidden Atlantis Lake Resort and Casino, the reservation’s main attraction and source of revenue, leeching its patrons’ dreams and preventing the ghosts that linger there from moving on. Fleeing a breakup, Marion Lafournier, a midtwenties Ojibwe, seeks solace in the slot machine’s siren song. Here he falls afoul of the sandman, an encounter he barely escapes through the timely intervention of his cousins Alana and Cherie, who both work at the casino and are intimately aware of the sandman’s power. Meanwhile, Glenn Nielan, recently out of the closet and an aspiring documentarian, hopes to capture the faces of the Ojibwe land while experiencing the casino’s thrills. But he will learn that all who choose to play the sandman’s games are in danger of falling into his grasp. Marion and Alana are members of the Bullhead clan, a family with ties to a sacred past and a fierce determination to ensure their future. Alana, with her sevenfire sight, is the only person to fully understand the danger the sandman poses. Aware of Marion’s occasional ability to navigate the spirit world, she enlists his aid in defeating this wraith. But the power and reach of the sandman go far beyond Alana’s worst fears. Soon she and Marion find themselves in a battle for their lives and for the souls of the reservation’s residents, both the living and the dead.

Killer Potential by Hannah Deitch

A scholarship kid with straight As and big dreams, Evie Gordon always thought she was special, that she’d be someone. But after graduating from an elite university, she finds herself drowning in debt and working as an SAT tutor for the super-rich of Los Angeles. Everything changes one Sunday, when she arrives for her weekly lesson at the Victors’ Beverly Hills estate and, in lieu of a bored teenager, finds the bloody remains of the parents strewn through their beautiful back garden, and a woman crying for help within a closet. As Evie works to free her, the two are spotted—and within moments, they go from bystanders to suspects to fugitives. Suddenly at the heart of a manhunt and accompanied by a mysterious woman who refuses to speak, Evie knows the only way to clear her name is to find the real killer. But first she’ll have to break down the barriers of her companion, who is quickly becoming the most important person in Evie’s upside-down life. Their breathless spree takes them across the U.S. as developments in the case shock the nation and the press runs wild with Evie’s story: a gifted kid turned killer. She's now on the cover of every magazine and newspaper—anointed the new Charles Manson, a bloodthirsty ninety-nine percenter looking to start a class war. Evie is finally someone.

The Hymn to Dionysus by Natasha Pulley

Raised in a Greek legion, Phaidros has been taught to follow his commander's orders at all costs. But when Phaidros rescues a baby from a fire at Thebes's palace, his commander's orders cease to make sense: Phaidros is forced to abandon the blue-eyed boy at a temple, and to keep the baby's existence a total secret. Years later, struggling with panic attacks and flashbacks, Phaidros is enlisted by the Queen to find her son, Thebes' young crown prince, who has vanished to escape an arranged marriage. The search leads him to a blue-eyed witch named Dionysus, whose guidance is as wise as the events that surround him are strange. In Dionysus's company, Phaidros witnesses sudden outbursts of riots and unrest, and everywhere Dionysus goes, rumors follow about a new god, one sired by Zeus but lost in a fire.

Aunt Tigress by Emily Yu-Xuan Qin

Tam hasn’t eaten anyone in years. She is now Mama’s soft-spoken, vegan daughter—everything dangerous about her is cut out. But when Tam’s estranged Aunt Tigress is found murdered and skinned, Tam inherits an undead fox in a shoebox, and an ensemble of old enemies. The demons, the ghosts, the gods running coffee shops by the river? Fine. The tentacled thing stalking Tam across the city? Absolutely not. And when Tam realizes the girl she’s falling in love with might be yet another loose end from her past? That’s just the brassy, beautiful cherry on top. Because no matter how quietly she lives, Tam can’t hide from her voracious upbringing, nor the suffering she caused. As she navigates romance, redemption, and the end of the world, she can’t help but wonder…Do monsters even deserve happy endings?

Walk Softly on This Heart of Mine by Callie Collins

Austin, Texas is a town in the throes of social upheaval and the Rush Creek Saloon, five miles on its outskirts, is a bar without a crowd. Until a strange new house band transforms it from moribund honky-tonk to thriving blues bar. But are the throngs of people and the rowdy music worth the chaos that comes with them? Walk Softly on This Heart of Mine is told through three perspectives, each of whom is in some ways responsible for the rebirth of Rush Creek and for the violence that follows in the afterbirth. Doug Moser, a country-and-blues guitarist from San Antonio, is seizing his long-awaited chance at fame but cannot turn away from the easy booze and drugs that come with the life. Deanna Teague owns Rush Creek. Her marriage is rocky and so is her sense of herself, but she sees a crack of light if she can just hold it all together. And Steven Francis is a boy who loves too fiercely. He grapples with his sexuality, his God, and his place in a town where he badly wants to belong.

Glitch Girl! by Rainie Oet

J—’s life is consumed by the roller coaster video game Coaster Boss, and by the power she exerts over the pixelated theme park attendees. Her life outside the game, however, is less controllable. Me. I’m such a big space. I break the universe, a glitch. She's navigating ADHD, the loneliness of middle school, and an overwhelming crush on a girl named Junie. J— is convinced that Junie sees her as who she really is, a person who isn’t “bad” just because she doesn't stay quiet and sit still in class. As a person who is realizing that the name she's been given doesn’t really fit her. And that maybe boy doesn’t either.

Cover Story by Celia Laskey

It's 2005, and Ali is a publicist for Hollywood's biggest stars. Part of her job entails keeping gay celebrities in the closet--which is pretty ironic, since she's a lesbian herself. When Ali is assigned a new gay client, Cara Bisset, who's breaking onto the scene with a (hetero) romantic blockbuster, keeping Cara's sexuality under wraps becomes Ali's biggest challenge yet. Cara is unruly and unpredictable and hates that she has to hide such an integral aspect of her identity. After a series of increasingly close calls, Ali is sent on the worldwide promotional tour for the movie to help keep Cara in line. Instead, she finds herself drawn to Cara's confidence and bravery. For the past year, Ali has been mired in grief after losing her partner in a freak accident. But with Cara, Ali's fears about the world subside, and she begins to question the Hollywood closeting system she's helped perpetuate. As Cara's fame continues to rise, both Ali and Cara have to decide which is more important: maintaining the status quo or risking it all for another chance at love.

The Keeper of Lonely Spirits by E.M. Anderson

After over two hundred years, Peter Shaughnessy is ready to die and end this cycle. But thanks to a youthful encounter with one o' them folk in his native Ireland, he can't. Instead, he's cursed to wander eternally far from home, with the ability to see ghosts and talk to plants. Immortality means Peter has lost everyone he's ever loved. And so he centers his life on the dead--until his wandering brings him to Harrington, Ohio. As he searches for a vengeful spirit, Peter's drawn into the townsfolk's lives, homes and troubles. For the first time in over a century, he wants something other than death. But the people of Harrington will die someday. And he won't. As Harrington buckles under the weight of the supernatural, the ghost hunt pits Peter's well-being against that of his new friends and the man he's falling for. If he stays, he risks heartbreak. If he leaves, he risks their lives.


ICYMI

Want a previously published book showcased? Let me know! The given work must: 1) be written by a self-identified member of the LGBTQ+ community, 2) be published within the last five years, 3) has not yet appeared on the ICYMI list, and 4) wasn't included in the Anticipated Books section within the last three months. All genres and independently-published works welcome.

Disclosure: I'm an affiliate of Bookshop.org. Any purchase through my storefront supports local bookstores and earns me a commission. Win-win!

Queer Mythology: Epic Legends from Around the World by Guido A. Sanchez (Author) and James Fenner (Illustrator)

Myths and legends tell our stories. They connect us and show us not only who we are, but also reflect the people during the time the stories were first told. And LGBTQIA+ people have been a part of every community since the dawn of storytelling. From Tu'er Shen, the Chinese rabbit god who protected those yearning to come out in an unaccepting world, to Ghede Nibo, the Haitian spirit who performed drag in the realm of the dead, the twenty myths told in this collection capture one irrefutable fact--even as labels, language, and definitions have changed, LGBTQIA+ people have always existed. Some of these myths are not widely known. Others are myths that you may think you know, but over time their inherent queerness has been erased. Queer Mythology offers fresh retellings, paired with beautiful illustrations, to give new life and celebrate the inspirational and resilient LGBTQIA+ community in some of humanity's earliest tales.


Opportunities

The Rumpus Prize for Poetry, Fiction, and Creative Nonfiction

  • What: "Announcing the inaugural Rumpus Prize for Poetry, Fiction, and Creative Nonfiction! The Rumpus has a long history of championing emerging and established poets, fiction writers, and essayists, and we’re pleased to announce a new way the magazine will bring attention to great writing. All submissions will be read by The Rumpus‘s editorial team, and our final judges will be Kaveh Akbar (Poetry), Rachel Khong (Fiction), and Megan Stielstra (Creative Nonfiction)."
  • Fee: $20
  • Pay: $1,000 first-place prize and publication in three genres: poetry, fiction, and creative nonfiction. Honorable mentions receive $200 and publication in each of the three genres.
  • Deadline: March 2nd, 2025

Prismatica: LGBTQ Speculative Fiction Magazine

  • What: "Prismatica Magazine is an LGBTQ fantasy and science-fiction magazine that publishes short stories, poetry, reviews, interviews, and articles. We publish on a quarterly schedule. All of our fiction is published on our website for free. At this time, we are unable to pay but this will hopefully change in the future."
  • Fee: $0
  • Pay: $0
  • Deadline: March 15th, 2025

2024 Lambda Literary Awards

  • What: "Lambda Literary Awards celebrate the outstanding LGBTQ+ storytelling from a given year. Lambda uses 'LGBTQ+' as a catch-all term, meaning that works reflecting identities beyond lesbian/gay/bisexual/transgender/queer or questioning are also welcome, to include two-spirit, intersex, pansexual, aro/ace, and other emerging identities."
  • Fee: $65-$115 per title
  • Pay: $0
  • Deadline: March 24th, 2025

Sinister Wisdom: SWANA Dykes

  • What: "The SWANA Dykes issue of Sinister Wisdom will highlight poetry, fiction, creative nonfiction, essays, oral histories, visual art, and genre-bending work from Southwest Asian and North African (SWANA) dyke, lesbian, queer, transgender, and gender non-conforming artists. Submissions from Black transgender and gender non-conforming artists will be prioritized. The SWANA region is often referred to as 'The Middle East.' This terminology is Eurocentric and homogenizes a vast region that consists of people of diverse histories, ethnicities, cultures, religions, and languages. SWANA serves as a regional signifier rather than a political or racial one. Artists from the SWANA region as well as various SWANA diasporas are welcome to submit."
  • Fee: $0
  • Pay: N/A
  • Deadline: March 30th, 2025

Incarcerated Writers & Families

  • What: "Submissions should be no more than 7,000 words for prose (fiction, nonfiction), hybrids, up to 6 poems for poetry, or up to 3 pages of visual art. We are interested in submissions from people who are most marginalized by oppressive systems, to include trans, gender queer, poverty-born, incarcerated, justice-involved, system-impacted, disabled, neurodivergent, BIPOC, colonized, people living on the frontlines of climate crisis, and others."
  • Fee: $0
  • Pay: $300
  • Deadline: April 4th, 2025

Bi Women Quarterly Summer 2025: Finding Community

  • What: "How do bi+ people find community? Write about your experience navigating the world as a bi+ person and trying to find your own community, whether that be a friend group, chosen family, knitting circle, or so on. Did you join a club or organization that led to you making some of your closest queer friends? Did you meet your best friend on a dating app? Did you start a group or meetup? Explain how you successfully overcame the struggles society forces upon us as LGBTQ+ individuals and how, through it all, you found your own community."
  • Fee: $0
  • Pay: N/A
  • Deadline: May 1st, 2025

Sinister Wisdom: Jewish Dykes Unite!

  • What: "Sinister Wisdom is seeking poetry, fiction, nonfiction, art, and genre-bending works from Jewish dykes of all kinds — and we mean all. Jews of all origins, converts, Jews with tattoos, patrilineal Jews, Jews who have never stepped foot in a synagogue before, etc. No matter how religious you are or how much you may feel like a “fake Jew,” submit to us! We want your Jewish lesbian joy and your Jewish lesbian pain. We want your yearning, your gossip, your fashion tips, your love stories, your too-good-to-keep-to-yourself lesbian sexcapades and fantasies. Tell us about your grief, your confusion, your dating horror stories, your anxiety, your heartbreak, your intergenerational trauma."
  • Fee: $0
  • Pay: N/A
  • Deadline: June 20th, 2025

NeuroQueer Books: Spoon Knife 10: Polarities

  • What: "Our NeuroQueer Books imprint is for fiction, memoir, and other literary work, with a focus on themes of queerness and neurodivergence. The theme for Spoon Knife 10 will be Polarities. Polarities: pairs of opposite forces or qualities or tendencies. Good and evil. Love and hate. Life and death. Heroism and villainy. Feminine and masculine. Night and day. Vice and virtue. Old and new. Order and chaos. The public persona and the hidden shadow self. The mundane everyday world and that which lies beyond. What polarity lies at the heart of your story? In what ways does it manifest? What happens when the two sides of the polarity come into contact or conflict, or when one transforms into the other?"
  • Fee: $0
  • Pay: "$30 plus 1 cent per word"
  • Deadline: July 31st, 2025

Wayfarer Books Radical Authenticity Prize for Trans & Non-binary Writers

  • What: "This prize is open to those who identify within the Transgender, Non-binary, and Gender non-conforming spectrum. This prize is open to works of poetry, creative nonfiction, memoirs, and essay collections. (No fiction, please.) While we welcome all themes—especially those that highlight the experiences of marginalized communities—the material/themes of your entry do not need to be about the transgender/non-binary experience to be eligible."
  • Fee: $20
  • Pay: "We pay authors anywhere from 8-12% of the list price on print; 25% on eBook; 25% on Audiobook."
  • Deadline: February 1st, 2026

Sinister Wisdom: Barbie: the Movie

  • What: "In this special issue, Sinister Wisdom will explore lesbians' reactions to Barbie: The Movie. How do we voice the joy and gratitude of this cultural moment where lesbian lives and lesbian culture is expressed in the movie with a major musical plotline from the Indigo Girls and two out dykes with major roles in this movie, now the highest grossing movie in Warner Brothers' history? What else do we think and feel about this cultural moment? Were you expecting to feel deeply personally touched by Barbie? What was a special scene that reflects your dyke life? Were you surprised or shocked by your reaction to the film? How do we understand Barbie's continuing life and its relationship to lesbians and lesbian culture?"
  • Fee: $0
  • Pay: N/A
  • Deadline: TBD

ALOCASIA

  • What: "ALOCASIA accepts creative writing of all genres from queer writers on a rolling basis with no reading fee. We appreciate both traditional work, as well as the weird, erotic, explicit, anti-colonial, and whatever you can come up with. This is a journal about plants, gardens, gardening, parks, and indoor horticulture. Please don’t send us work that isn’t about plants."
  • Fee: $0
  • Pay: N/A
  • Deadline: rolling

Rough Cut Press

  • What: "We seek work of all genres by writers from the LGBTQIA community. We do not define or gatekeep what it means to be a queer writer: if you think your work belongs here, then it belongs here. To get a sense of what we publish please read some of our former issues. We don’t know what we like until we see it. Each month we announce a different theme, but don’t worry if the work you submit doesn’t quite fit: we often build issues and themes around work that takes us by surprise."
  • Fee: $0
  • Pay: $25
  • Deadline: rolling

Screen Door Review

  • What: "Screen Door Review is a triannual literary magazine that publishes poetry and flash fiction authored by individuals belonging to the southern queer (lgbtq) community of the United States. The purpose of the magazine is to provide a platform of expression to those whose identities—at least in part—derive from the complicated relationship between queer person and place. Specifically, queer person and the South. Through publication, we aim to not only express, but also validate and give value to these voices, which are oftentimes overlooked, undermined, condemned, or silenced."
  • Fee: $0
  • Pay: N/A
  • Deadline: rolling

AC|DC: A Journal for the Bent

  • What: "AC|DC currently publishes new short fiction or creative nonfiction by LGBTQIA+ authors on Tuesdays. AC|DC is always open for submissions. Take a look at what’s on the site to decide if your work might be a good fit. We have a preference for the dark and raw but are open to all."
  • Fee: $0
  • Pay: $0
  • Deadline: rolling

The Bitchin' Kitsch

  • What: "The B’K is a quarterly art and lit, online and printed magazine prioritizing traditionally marginalized creators, but open to all."
  • Fee: $0
  • Pay: $10
  • Deadline: rolling

Bella Books Call for Submissions

  • What: "At Bella Books, we believe stories about women-loving-women are essential to our lives—and so do our readers. We are interested in acquiring manuscripts that tell captivating and unique stories across all genres—including romance, mystery, thriller, paranormal, etc. We want our books to reflect and celebrate the diversity of our lesbian, sapphic, queer, bisexual, and gender non-conforming community—in all our glorious shapes, sizes and colors. Our desire to publish diverse voices is perennial. We don’t want to tell your stories for you—we want to amplify your voices....We publish romance, mystery, action/thriller, science-fiction, fantasy, erotica and general fiction. At this time, we are particularly interested in acquiring romance manuscripts."
  • Fee: N/A
  • Pay: N/A
  • Deadline: rolling

Baest Journal

  • What: Baest Journal, "a journal of queer forms and affects," seeks to publish work by queer writers and artists.
  • Fee: $0
  • Pay: $0
  • Deadline: rolling

Articles

Declassified CIA Guide to Sabotaging Fascism Is Suddenly Viral

by Jason Koebler

A declassified World War II-era government guide to “simple sabotage” is currently one of the most popular open source books on the internet. The book, called “Simple Sabotage Field Manual,” was declassified in 2008 by the CIA and “describes ways to train normal people to be purposefully annoying telephone operators, dysfunctional train conductors, befuddling middle managers, blundering factory workers, unruly movie theater patrons, and so on. In other words, teaching people to do their jobs badly.”

[In January], the guide has surged to become the 5th-most-accessed book on Project Gutenberg, an open source repository of free and public domain ebooks. It is also the fifth most popular ebook on the site…having been accessed nearly 60,000 times over [January] (just behind Romeo and Juliet). 

Authors Guild Launches “Human Authored” Certification to Preserve Authenticity in Literature

by Authors Guild

AI-generated books are flooding online marketplaces and increasingly look like, and sometimes even read like, human-authored books. The reader may have no way of knowing if a book they come across is AI-generated or authored by a human. The Authors Guild believes that readers have the right to know if a text was written by AI or a human, and that writers should have the ability to distinguish their work in increasingly AI-saturated markets.

Today, the Authors Guild unveils “Human Authored”—a first-of-its-kind official certification system that writers and publishers will be able to use in their books and in marketing to indicate if the text of a book was human-written. 

The Human Authored logo and name will be registered with the US Patent and Trademark Office and supported by a registration system that will create a verifiable chain of trust between author and reader through a public database where anyone can verify a book’s human origins. The use of the Human Authored mark is restricted to books and other works where the text was written by humans, except for a de minimis amount of AI-generated text to accommodate uses of AI-powered grammar and spell-check applications and other minor AI use. Use of AI as a tool, other than to generate text, such as for research or brainstorming, does not disqualify a book, as long as the text was human written.


Milo Todd's logo of a simple, geometric fox head. It has a black nose, white cheeks, and a reddish-orange face and ears.
Until next time, foxies! Be queer, write books!